Call for Art!

Active, associate and allied art professionals, you are invited to submit your work for publication in the Pen Woman and on the NLAPW website!

There is no submission fee, no deadline, and no limit to how often you may submit.

I cannot promise that your work will be published, but all submissions will receive serious consideration. All submissions will also be considered for the cover of the magazine.

We have the following opportunities for art members:

  • Featured Art on the NLAPW website (with or without a short article)
  • “In the Studio” article focusing on your process, accompanied by a few photos of work in progress and completed work.
  • Short article (with photo) about an individual piece of work.
  • Longer article (with photos) about a body of work, or your personal artistic journey or inspiration.

To submit:

Select your best work and email low-resolution digital images to arteditor@nlapw.org.  

I will request larger, high-resolution files if we decide to publish your work, and will provide help with writing articles, if needed.

In your email, please include:

  1.   Your name
  2.   Branch (please note: we can only feature the work of current members)
  3.   Your website URL
  4.   Image title, medium, size
  5.   A very brief statement about yourself and the artwork
  6. An article, if you are submitting one

If you have any questions, please email me at arteditor@nlapw.org. I’ll be glad to help.

By submitting your art to NLAPW, you give us permission to display your published work online at nlapw.org for the purpose of promoting NLAPW and our members.

Best wishes to you,

Lucy Arnold, Golden Gate-Marin Branch
NLAPW Art Editor

Featured Art: Backyard Sunrise

"Backyard Sunset" painting by Lisa Rose

“Backyard Sunrise” by Lisa Rose, Vero Beach Branch (Florida)

18 H x 24 W soft pastel

“Backyard Sunrise” was created from an actual sunrise seen from the artist’s backyard in Vero Beach, Florida.

Lisa Rose studied design and environmental analysis at Cornell University and enjoyed a career of over 30 years as a residential interior designer. She gained national attention with features in prestigious publications including House Beautiful, House Beautiful Home Decorating, Florida Design, Interior Design, Maison Française, and Cosmopolitan. 

 

 

She was recently introduced to soft pastels and became inspired by the beauty of the natural landscape. This led to the creation of her first pieces with a delicate blend of representational art and a bit of abstraction.

Lisa Rose’s artwork can be viewed at www.lisaroseart.com.

 

 

Featured Art: Vintage Trucks in Sedona

Gloria Sampson's "Vintage Trucks in Sedona"

“Vintage Trucks in Sedona” by Gloria Sampson, Columbus Branch (Georgia)
Watercolor, 18.5 x 28.25 

 

Gloria Sampson’s goal is to paint every day. She works mainly in watercolor, pen, and ink.

A resident of Columbus, Georgia, Sampson divides her time between there and Walnut Creek, California. She earned a bachelor’s of fine arts degree with a major in interior design from the California College of Arts (and Crafts) in Oakland. As an interior designer in the Bay Area for many years, she demonstrated her love of its Victorian architecture by portraying it in pen, ink, and watercolor.

Sampson’s fascination with travel to study art and culture has resulted in more than 35 sketch books from around the world. Three of these books have been published.

In 2015, she donated 100 original paintings to the Columbus State University Library Archives from her book, “Historic Churches and Temples of Georgia, a Book of Watercolors and Drawings,” published by Mercer University Press. She was the featured artist in the Sept/Oct 2018 issue of Southwest Georgia Living magazine.

To learn about Gloria Sampson and her work, see her work on the Colubmia Artists Guild website.

 

Featured Art: Twin Creek Vineyard

Chella Gonsalves, Modesto Branch, California
Twin Creek Vineyard, oil,  9×12 inches

 

Known mainly as a plein air artist, Chella Gonsalves portrays rural landmarks, rivers, architectural structures, and historical homesteads with oil paints, emphasizing light and dark contrast.

“California’s Central Valley provides many inspiring vistas, including vineyards, orchards, rivers, parks, and mountains. This particular vineyard is located near Lodi, California, at the Robert Mondavi Winery. The composition of the old oak, the colors of the vines, the light and shadow, and the distant scene all attracted me to this location for a plein air painting.” — Chella Gonsalves

 

 

Featured Art: Echo #3

 

Susan Crave Rosen, Chesapeake Bay Branch
“Echo #3,” acrylic and collage on paper, 23×27 inches

 

“I have been painting for over 25 years, beginning when my husband and I retired to Virginia. Starting with watercolor, as many artists do, I wanted a more opaque, sturdy medium and moved to acrylic about 15 years ago. I have added collage of my own painted papers to layered acrylic, often embellished with line.” —Susan Crave Rosen

 

Featured Art: Billowing In

Doris Mady, Greenwich Branch, Connecticut
“Billowing In,” 20×10 oil

 

Doris Mady considers herself a plein air painter. When asked, “Why plein air?” she answered, “because I feel alive when I’m outside and the world has so many messages to give us.”

A graduate of the Fashion Institute of Technology, Mady also studied at the School of Visual Arts, Westchester Community and Skidmore Colleges. Following a long, successful advertising career as creative director and graphic designer in some of advertising’s Top Twenty advertising agencies, she decided to pursue her first love: oil painting.

 

Featured Art: The Watchkeepers

 

The Watchkeepers photo

“The Watchkeepers,” photograph by Jane E. Allen, Huntstville Branch (Alabama)

 

 

One day, Jane and her husband traveled down a dusty country road in Weumpka, Alabama. As they neared Lake Martin, they discovered an isolated burial site near a church. 

The inscription and poignant epitaph engraved on the granite included the words “A Child of Innocence.” The words “Our Angel” were tucked inside a heart in one corner of the stone. Praying hands and a kneeling angel were in other corners. 

A ceramic Dalmatian, bear, deer, a stonewashed cherub, and a wrought-iron nymph were scatted about the surface of the grave, as if keeping watch over the site. Allen, captivated, photographed the unusual array of compelling objects.

Allen became a letters member in 1984 after winning writing contests sponsored by the Montgomery Branch. She added the art qualification to her membership after several of her photos won awards and were published.

“After retiring in 1994, I finally had the time to enjoy the outside world and its fascinating subjects, she says. “Sometimes, I write a poem and snap a photo; at other times, I capture a subject with my camera and then write the poem.”

 

Featured Art: Gallery Hopping

 

Gallery Hopping embroidery

Carol Nipomnich Dixon, Connecticut Pioneer Branch  

Gallery Hopping, embroidered assemblage on felt, 13-inch square, framed

 

Statement from Carol Nipomnich Dixon: I have been drawing, painting, photographing, and experimenting with mixed media collages since I was a child. I like to think that the child in me still appears in the art I do, along with more mature “soul”, feeling, intelligence and wit, expressed through color, texture, shape and composition. For me, art needs to convey a personal, original point of view, along with strong visual elements and well-executed techniques. My inspiration comes from my own experiences and emotions, nature, varied cultures, historical eras, and art over the ages, ranging from Ming Dynasty squares to paintings by Klimt, Kandinsky and Krasner and collages by Schwitters. My most distinctive works are my small embroidered collages, which often incorporate contemporary papers, original photos, and found objects into traditional stitchery. I also owe a debt to my Russian-born paternal grandparents, my grandmother who taught me to embroider and my tailor grandfather who gave me fabric remnants from his shop.

Featured Art: 19th Century Lady

 

19th Century Lady painting
Patricia Daly-Lipe, Jacksonville Branch, Florida
19th Century Lady, oil, 26 by 30 (includes frame)

 

Statement from Patricia Daly-Lipe: The portrait is based on an old photo of a friend of my grandmother (on my mother’s side). However, I do not know who she was. I was intrigued, however, with her look. So much can be read in those eyes.

 

Featured Art: Confetti Mountain

 

Confetti Mountain painting

 

Katie Turner, Central New York Branch

Confetti Mountain, watercolor on paper, 18 by 24 inches

 

Statement from Katie Turner: Exploring abstract patterns formed by nature is part of my interest here. The simplicity of a rugged landscape balanced with hard crisp edges speaks of internal relationships to me.