Art of the Week: Grape Arbor

Maralyn Miller
Santa Clara Branch
“Grape Arbor”
Oil, 20 x 16
www.maralynmillerstudio.com

 

Grape arbor

 

Maralyn Miller has been painting for over 65 years. She has a BFA from California College of Arts in Oakland California and has since studied with numerous noted painters.

 

Miller’s subjects are mostly California landscapes done in a realistic style and her mediums are oils and pastels. She loves to capture the light and shadows of the hills and trees in the State where she lives.

 

Her work is in two California galleries and in over 650 collections. She has had several solo shows and has been honored with many awards including several first places and Best of Shows.  Miller has also judged several shows. She paints almost daily in her Los Gatos Studio.

 

Art of the Week: Call for submissions

Call for “Art of the Week” Submissions

Active, Associate and Allied Art Professionals are invited to submit work to be featured as “Art of the Week.”

It’s easy and there is no submission fee, no deadline, and no limit to how often you may submit.

To submit work:

  1. Select your best work and send a good quality digital image toarteditor@nlapw.org,
  2. In the subject line put “Art of the Week”,
  3. In a separate document add:

a.   Your Name

b.   Branch name

c.   Medium/size

d.   Your website URL

e.   A brief statement written in third person . . . what inspires you or inspired this particular work;
what your process is; any special techniques you use or have developed; a little about yourself.

 

If you have any questions, I’m just an email away (arteditor@nlapw.org). I’m here to help.

Darlene Yeager-Torre
NLAPW Art Editor

Art of the Week: Maine: Buoys and Lobster Traps

Patricia Levey
Palm Beach Branch
“Maine: Buoys and Lobster Traps,” 24″ X 30″
www.patleveyfinearts.com

 

 

Since childhood, Pat Levey’s life as an artist has been spent drawing and painting, usually inspired by the sea and animals. She began her career as a New York City art teacher then served as a school administrator and taught at Queens College Graduate Programs. Leaving education to pursue her creative potential, Levey studied classical painting with J.Acetus Jackson and also studied at the Armory Art Center in West Palm Beach, FL. She has continued to take Master workshops.

 

Levey paints realistically as well as surrealistically working in oils, metal, and vitreous and limoges enamels. By having three paintings juried into the National Society of Art exhibits from the year 2003 to 2010, she was awarded a gold medal. Earning a gold medal gave her a signature membership in the NSA. Her work, including paintings, murals and jewelry, has been exhibited locally, regionally and nationally.

 

Pat Levey is currently the vice president of the Palm Beach (FL) Branch of the National League of American Pen Women.

 

Art of the Week: Musings on the Bounty (corrected)

Note from the Art Editor, Darlene Yeager-Torre: The art featured last week on “Art of the Week” was upside-down. I offer my sincere apologies to Deborah Anderson, and to all the blog followers, for this error and now show the quilt as it was meant to be viewed. You will also find additional, more detailed information on Anderson’s technique.


Deborah Melton Anderson
Central Ohio Branch
Musings on the Bounty
44” X 38”, Quilted by machine
www.debanderson.net

 

 

Images on this quilt are transferred to cotton fabric by applying heat and pressure, a heat press, used for T-shirts. The photographs are transferred to special transfer paper using a color laser copier. The images are then collaged to complete the design in readiness for a single press, since the transfers are semi-translucent. The final step is to make the quilt “sandwich” (front, center batting and back), stitch through all layers, and bind the edges.

 

Art of the Week: Musings on the Bounty

Deborah Melton Anderson
Central Ohio Branch
Musings on the Bounty
44” X 38”, Quilted by machine
www.debanderson.net
 

 

Musings on the Bounty, obviously a play on the title of the famous book, Mutiny on the Bounty, was made with images of Deborah Anderson’s own photographs which were transferred to cotton then collaged and machine stitched.

 

Since the early 1970’s, Anderson’s creations have been exhibited around the USA in both group and solo exhibitions. Non-traditional quilts and liturgical textiles are those works most exhibited. Over 50 commissioned works for Christian and Jewish congregations and schools have been completed.

 

Anderson has been a member of NLAPW since the 1980’s.

 

Art of the Week: Garden Path

Abby Feinknopf
Central Ohio Branch, NLAPW
Garden Path, Acrylic
www.abbyf.com

 

 

Abby Feinknopf considers herself a mixed-media artist who continues to evolve. She began her career in fabric collage and moved to watercolor, then acrylic. She is inspired by patterns: patterns in nature, fabric, and architecture. And she loves bold color! When Feinknopf began working in fabric collage, it felt good to be able to repurpose clothing, notions, vintage flour, sugar and salt bags and to try to keep waste to a minimum. She also loves to needlepoint and embroider, so, often, those touches are added to a piece!

 

After finishing treatment for breast cancer in 2016, she found herself craving color. It was a cold, gray and dreary winter when she began painting in acrylic. Feinknopf decided to paint for herself, and her only! It was very abstract and very bright. Her paintings often come out of a grey canvas, representing her return to creativity after being sick.

 

Feinknopf has been told her work is “happy”. It pleases her that it resonates with others. Currently she is pursuing work for use in children’s hospitals and medical centers, so that hopefully it can lift spirits where needed!

 

Art of the Week: Red Iris

Vivian Ripley
Central Ohio Branch
“Red Iris”
Pastel
www.vivianripleyart.com

 

 

Vivian Ripley developed her unique “water method” using a large flat damp watercolor brush to move the pastel in a free manner to form the basis and much of the painting. Details are added to end the work. This method must be done on one of many pastel papers that will accept liquid treatment. Ripley finds continued interest in the many possibilities with pastel of which she says, “it is endless!”

 

“Red Iris,” created using Ripley’s “water method,” recently took best of show at an exhibit at the McConnell Arts Center In Columbus, Ohio. Her special watercolor technique is spotlighted in a chapter in “The Watercolor Landscape Techniques of 23 International Artists”. Her paintings are in collections in the U.S., Canada, Great Britain, France, and Japan.

 

Art of the Week: Here I come ready or not

Judith (Judi) Polivka Betts
Batton Rouge – New Orleans Louisiana Chapter
“Here I Come, Ready or Not”
Transparent Watercolor
judibettsaws.com

 

Judi Betts paintings are meant to illuminate life and stimulate discussion about subjects and scenes found every day. She wants viewers to be awakened to see something old or new in a different way.

Betts utilizes flat area shapes to weave positive and negative shapes together. These are not “thing” shapes – such as a tree, they are usually patterns of light against a mid-tone or darker value. In her paintings they’ve become known as ‘magical shapes’. They are edited and redesigned. Shape become visual arrows to help direct the eye, to add visual vibration to the painting’s surface, or to combine several small shapes to make a more interesting pattern. Often shapes are used to create intrigue, orchestrate color, and create rhythm. She uses patterning to create vibration, direction, balance and mood.

Among many other honors, Judi is a signature member of the American and National Watercolor Societies. She is listed in WHO’S WHO IN AMERICAN ART. Her paintings are included in corporate, university, museum and private collections. When you visit her website, go to her biography to learn more about her achievements.

judibettsaws.com

 

Art of the Week: Seasons

Anne Price Yates
Portland Oregon Branch
Seasons
20 x 16 Acrylic
www.annepriceyates.com
(also see Facebook.com/Anne Price Yates)

This landscape represents the seasons in a clockwise direction. Fall is upper left, then winter upper right followed by spring and summer. Initially an oil painter of figures and landscapes, Anne Price Yates now paints more frequently with acrylic. In the Portland cold, rainy winters ventilation is not as easy as opening a couple of windows so acrylic paint is a safer medium.

Be sure to visit www.annepriceyeats.com to see more of Anne’s work.
Also see Facebook.com/Anne Price Yates.

Art of the Week: Sunny Sunflowers

Kay Duffy
Santa Clara Branch, CA
“Sunny Sunflowers”
Watercolor
www.kayduffywatercolors.com

 

 

The freedom, spontaneity and speed, the “wet and loose” of watercolor, suits Kay Duffy’s temperament.  She says her approach is “juicy”, incorporating bright colors, broad strokes, and strong shapes to depict feelings and impressions of the natural landscape, flowers and trees, buildings, foreign lands and exotic places.  Duffy finds the freedom of painting on location, en plein air, to be the most enjoyable way to paint. Inspiration for studio work comes from sketches and slides taken while walking in the community, working in her garden, hiking in the wilderness or traveling in foreign lands.

 

Duffy’s recent, more experimental work utilizes an original technique of texturing oriental papers with watercolor pigments. These papers are torn, arranged and collaged to create interesting abstract images.  Metallic foil, pastel and opaque media are also utilized to enhance the image. To see more of her work visit her website.