Art of the Week: Quiet Walk

Katie Turner
CNY Branch of NLAPW
“Quiet Walk”
Watercolor on Terraskin paper, 23”x30”
Website: http://www.ktartstudio.com/

 

 

Dancing brushes, flowing paint and vibrant colors blend together in Katie Turner’s watercolors.  She has developed a painting style of spontaneity while maintaining a quiet balance of chaos and control.  The slick nature of the papers she uses enables her to keep the paintings fresh, evocative and joyful.

 

“Painting is one way I’m able to share with others. My favorite subjects are from nature and almost always flowers.  They can carry mythological, religious or even medical meaning and can bring such beauty and joy into a space.   A flower is a testimony that the world is designed for enjoyment.”

 

Art of the Week: Magnificent Hummingbird

Judy Bingman
Santa Clara Branch, San Jose, CA
“Magnificent Hummingbird” (photographed in Costa Rica)
Photography
(blog: judybingmanphotography)

 

 

For Judy Bingman, hummingbirds have been a favorite to photograph. But it hasn’t always been that way.

 

Bingman, a two-term president of the Santa Clara branch of NLAPW, taught physical education at Los Gatos, CA High School for 35 years. During the last eleven years she also directed both the LGHS concert and marching bands. She herself plays a haunting saxophone.

 

“After my first trip to Africa in 1998 I knew wildlife photography would be my love,” she says. But it was not until her retirement that she was able to seriously pursue her new career as a professional photographer.

 

Because of her lifelong love of nature and animals, she naturally focused her camera on birds and wild animals throughout the world. Bingman has traveled to India for the tigers; Brazil for jaguars; Africa for mountain gorillas; Antarctica for penguins, and Canada for polar bears. She has snorkeled with the whales, sat 4 feet from an 12 foot long anaconda she was photographing, been awed by the aurora borealis dancing overhead, and figured out how to get her camera to work in minus 42 degree weather. Alaska, Iceland, China, Japan, New Zealand, Australia, and Europe have also been on her itinerary.

 

With such an eclectic background it’s no wonder other professionals call her photographs “emotion-filled”! But, back to the hummingbirds . . . Bingman continues her excursions to photograph the hummingbirds and now gives workshops at her home to teach others how to photograph these fast little wonders.

 

Art of the Week: Grape Arbor

Maralyn Miller
Santa Clara Branch
“Grape Arbor”
Oil, 20 x 16
www.maralynmillerstudio.com

 

Grape arbor

 

Maralyn Miller has been painting for over 65 years. She has a BFA from California College of Arts in Oakland California and has since studied with numerous noted painters.

 

Miller’s subjects are mostly California landscapes done in a realistic style and her mediums are oils and pastels. She loves to capture the light and shadows of the hills and trees in the State where she lives.

 

Her work is in two California galleries and in over 650 collections. She has had several solo shows and has been honored with many awards including several first places and Best of Shows.  Miller has also judged several shows. She paints almost daily in her Los Gatos Studio.

 

Art of the Week: Call for submissions

Call for “Art of the Week” Submissions

Active, Associate and Allied Art Professionals are invited to submit work to be featured as “Art of the Week.”

It’s easy and there is no submission fee, no deadline, and no limit to how often you may submit.

To submit work:

  1. Select your best work and send a good quality digital image toarteditor@nlapw.org,
  2. In the subject line put “Art of the Week”,
  3. In a separate document add:

a.   Your Name

b.   Branch name

c.   Medium/size

d.   Your website URL

e.   A brief statement written in third person . . . what inspires you or inspired this particular work;
what your process is; any special techniques you use or have developed; a little about yourself.

 

If you have any questions, I’m just an email away (arteditor@nlapw.org). I’m here to help.

Darlene Yeager-Torre
NLAPW Art Editor

Art of the Week: Maine: Buoys and Lobster Traps

Patricia Levey
Palm Beach Branch
“Maine: Buoys and Lobster Traps,” 24″ X 30″
www.patleveyfinearts.com

 

 

Since childhood, Pat Levey’s life as an artist has been spent drawing and painting, usually inspired by the sea and animals. She began her career as a New York City art teacher then served as a school administrator and taught at Queens College Graduate Programs. Leaving education to pursue her creative potential, Levey studied classical painting with J.Acetus Jackson and also studied at the Armory Art Center in West Palm Beach, FL. She has continued to take Master workshops.

 

Levey paints realistically as well as surrealistically working in oils, metal, and vitreous and limoges enamels. By having three paintings juried into the National Society of Art exhibits from the year 2003 to 2010, she was awarded a gold medal. Earning a gold medal gave her a signature membership in the NSA. Her work, including paintings, murals and jewelry, has been exhibited locally, regionally and nationally.

 

Pat Levey is currently the vice president of the Palm Beach (FL) Branch of the National League of American Pen Women.

 

Art of the Week: Musings on the Bounty (corrected)

Note from the Art Editor, Darlene Yeager-Torre: The art featured last week on “Art of the Week” was upside-down. I offer my sincere apologies to Deborah Anderson, and to all the blog followers, for this error and now show the quilt as it was meant to be viewed. You will also find additional, more detailed information on Anderson’s technique.


Deborah Melton Anderson
Central Ohio Branch
Musings on the Bounty
44” X 38”, Quilted by machine
www.debanderson.net

 

 

Images on this quilt are transferred to cotton fabric by applying heat and pressure, a heat press, used for T-shirts. The photographs are transferred to special transfer paper using a color laser copier. The images are then collaged to complete the design in readiness for a single press, since the transfers are semi-translucent. The final step is to make the quilt “sandwich” (front, center batting and back), stitch through all layers, and bind the edges.

 

Art of the Week: Musings on the Bounty

Deborah Melton Anderson
Central Ohio Branch
Musings on the Bounty
44” X 38”, Quilted by machine
www.debanderson.net
 

 

Musings on the Bounty, obviously a play on the title of the famous book, Mutiny on the Bounty, was made with images of Deborah Anderson’s own photographs which were transferred to cotton then collaged and machine stitched.

 

Since the early 1970’s, Anderson’s creations have been exhibited around the USA in both group and solo exhibitions. Non-traditional quilts and liturgical textiles are those works most exhibited. Over 50 commissioned works for Christian and Jewish congregations and schools have been completed.

 

Anderson has been a member of NLAPW since the 1980’s.

 

Art of the Week: Garden Path

Abby Feinknopf
Central Ohio Branch, NLAPW
Garden Path, Acrylic
www.abbyf.com

 

 

Abby Feinknopf considers herself a mixed-media artist who continues to evolve. She began her career in fabric collage and moved to watercolor, then acrylic. She is inspired by patterns: patterns in nature, fabric, and architecture. And she loves bold color! When Feinknopf began working in fabric collage, it felt good to be able to repurpose clothing, notions, vintage flour, sugar and salt bags and to try to keep waste to a minimum. She also loves to needlepoint and embroider, so, often, those touches are added to a piece!

 

After finishing treatment for breast cancer in 2016, she found herself craving color. It was a cold, gray and dreary winter when she began painting in acrylic. Feinknopf decided to paint for herself, and her only! It was very abstract and very bright. Her paintings often come out of a grey canvas, representing her return to creativity after being sick.

 

Feinknopf has been told her work is “happy”. It pleases her that it resonates with others. Currently she is pursuing work for use in children’s hospitals and medical centers, so that hopefully it can lift spirits where needed!

 

Art of the Week: Red Iris

Vivian Ripley
Central Ohio Branch
“Red Iris”
Pastel
www.vivianripleyart.com

 

 

Vivian Ripley developed her unique “water method” using a large flat damp watercolor brush to move the pastel in a free manner to form the basis and much of the painting. Details are added to end the work. This method must be done on one of many pastel papers that will accept liquid treatment. Ripley finds continued interest in the many possibilities with pastel of which she says, “it is endless!”

 

“Red Iris,” created using Ripley’s “water method,” recently took best of show at an exhibit at the McConnell Arts Center In Columbus, Ohio. Her special watercolor technique is spotlighted in a chapter in “The Watercolor Landscape Techniques of 23 International Artists”. Her paintings are in collections in the U.S., Canada, Great Britain, France, and Japan.

 

Art of the Week: Here I come ready or not

Judith (Judi) Polivka Betts
Batton Rouge – New Orleans Louisiana Chapter
“Here I Come, Ready or Not”
Transparent Watercolor
judibettsaws.com

 

Judi Betts paintings are meant to illuminate life and stimulate discussion about subjects and scenes found every day. She wants viewers to be awakened to see something old or new in a different way.

Betts utilizes flat area shapes to weave positive and negative shapes together. These are not “thing” shapes – such as a tree, they are usually patterns of light against a mid-tone or darker value. In her paintings they’ve become known as ‘magical shapes’. They are edited and redesigned. Shape become visual arrows to help direct the eye, to add visual vibration to the painting’s surface, or to combine several small shapes to make a more interesting pattern. Often shapes are used to create intrigue, orchestrate color, and create rhythm. She uses patterning to create vibration, direction, balance and mood.

Among many other honors, Judi is a signature member of the American and National Watercolor Societies. She is listed in WHO’S WHO IN AMERICAN ART. Her paintings are included in corporate, university, museum and private collections. When you visit her website, go to her biography to learn more about her achievements.

judibettsaws.com